Today we’d like to introduce you to Undaground OutKast.
Hi Undaground, please kick things off for us with an introduction to yourself and your story.
I’m Monroe Dreaux, also known as UndaGround OutKast — a creative force who’s been shaping sound, vision, and style for over 30 years. My journey started deep in the underground, where raw passion and relentless grind became the foundation of everything I do. I wear many hats — artist, writer, graphic designer, videographer, editor, executive producer, embroidery and fashion designer — each one a different language of expression, but all connected by one mission: to create timeless art with soul and purpose.
Over the years, I’ve collaborated with a wide range of talent across the culture — from Kuntry G, BestShow XO, IIeyes, Yola Franklin, Jroc Obama, Curt McGurt, Big Vo, and Go DJ Phat to Carlos Zannetta, Swisha McGavin, Sleepy Garcia, Lil Tony 214, Yung Hood BCE, SK Millions, 2wice, and many more. Every connection added another layer to my story — another chapter in a legacy built from creativity, independence, and authenticity.
Now under management with Gas Chamber Entertainment, I’m expanding my reach and continuing to push the limits of artistry and vision. Whether I’m behind the mic, behind the lens, or behind the brand, my focus stays locked on growth — elevating underground voices and setting new standards for what it means to be truly self-made.
UndaGround OutKast isn’t just a name — it’s a movement. A reminder that greatness doesn’t wait for validation; it’s crafted, refined, and lived every day.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
It definitely hasn’t been a smooth road. One of the biggest challenges I’ve faced has been trying to do it all from the shadows — staying low-key while building something monumental. Fame was never the goal; ownership and longevity were. I’ve always been more focused on stacking funds, keeping my brand value high, and letting the work speak louder than my name.
But doing all that from the background? Sheesh. It takes patience, discipline, and a mindset that doesn’t crave the spotlight. There were times when being behind the scenes made it harder to get the credit, the exposure, or even the recognition the grind deserved — but I learned early that the real power is in control, not clout.
Every silent move, every unseen hour, built the foundation I stand on now. And even though I came up from the shadows, I made sure every step added value — to my name, my art, and my legacy.
As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
What I do can’t really be boxed in — I create. I move between roles like artist, writer, graphic designer, videographer, editor, executive producer, embroidery and fashion designer — each one feeding the other. I’ve been hands-on in every layer of the creative process for over 30 years, from sound and visuals to brand building and business structure. Everything I touch is rooted in authenticity and vision.
I’m best known for my ability to bring full concepts to life, whether that’s through music, visuals, or design. I don’t just drop songs or videos — I craft experiences that reflect a real story, real struggle, and real growth. I’ve worked with and helped develop a long list of talented artists — Kuntry G, BestShow XO, IIeyes, Yola Franklin, Jroc Obama, Curt McGurt, Big Vo, Go DJ Phat, Carlos Zannetta, Swisha McGavin, Sleepy Garcia, Lil Tony 214, Yung Hood BCE, SK Millions, 2wice, and more — each collaboration showing a different side of what I bring to the table.
What I’m most proud of is that I built all this from the underground up. I stayed true to myself, never chasing fame — just value. I focused on stacking, learning, and keeping my brand strong. It wasn’t easy doing it from the shadows, but that discipline gave me freedom. Now, under management with Gas Chamber Entertainment, I’m able to move strategically — creating, leading, and mentoring while keeping ownership and integrity intact.
What sets me apart is that I’ve never needed the spotlight to validate my work. I’m the type who can design the vision, produce the sound, edit the film, press the merch, and still make it look effortless. My lane is built on independence, consistency, and real results — no shortcuts, no gimmicks. I’m not just in it for the moment; I’m here to build legacy.
Is there any advice you’d like to share with our readers who might just be starting out?
My biggest advice to anyone just starting out is learn every part of your craft. Don’t wait on anybody to make it happen for you — learn how to move on your own. The more you understand about the process — from creation to presentation to business — the harder it is for anyone to play you or slow you down.
When I started, I wanted everything to be perfect, but I learned that progress beats perfection every time. Don’t be afraid to start small, to fail, to figure it out as you go. Every mistake teaches you something that books and tutorials can’t.
I also wish I knew earlier that your energy is your currency — where you put it matters. Surround yourself with people who match your hustle and protect your peace at all costs. The industry can pull you in a lot of directions, but staying grounded in who you are and what you stand for will always separate you from the noise.
And last thing — move with patience and purpose. Everybody wants fast success, but the slow grind builds legacy. Stack your skills, stack your funds, and stay focused on ownership. Fame fades, but value lasts forever.
Pricing:
- Graphic Designs $25-$250
- Digitization $25-$600
- Music Reviews $25-$3000
- Studio Recordings $50 Hourly 2hr min.
Contact Info:
- Facebook: UnDaGround OutKast
- Youtube: UndaGround OutKast / Gas Chamber
