Today we’d like to introduce you to Brianna Wesson
Hi Brianna, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I’m not just your favorite country creative for no reason! I’m a country girl from a small town in Arkansas, and creativity has been a part of my life for as long as I can remember. I’ve always been multifaceted—sewing with my grandmother in a little shed since I was six, performing on stage before I could even walk, whether in pageants, dance, acting, or academics. What a lot of people don’t know is that I started in music—I used to do star searches, had a management deal for gospel music, and spent much of my childhood touring.
My mother moved us to Texas for better educational and entertainment opportunities, and that’s where my love for fashion and storytelling really took off. In high school, I was designing and sewing my own clothes, winning “Best Dressed,” and creating costumes for the theater department—all while acting on stage myself. By 14, I had already started my first business, which carried me into college, where I continued acting, dancing, and, of course, designing. I won many awards and kicked started my career as more than a theater actress but in commercials and film as well. Which gave me the idea of my own production business.
Moving to Dallas was a turning point. I saw a gap in the industry—there wasn’t enough emphasis on high-quality film production in the creative photoshoot world. That’s when I launched Stolen Culture Productions, bridging the gap between production-level visuals and creative branding. I went from being in front of the camera and on stage to working behind the scenes, helping over 300 brands (Curls and SHEIN),influencers, and celebrities (like Dorrough and Megan Thee Stallion) to bring their visions to life.
Now, I’m pushing my production company to new heights, expanding my creative community, encouraging others to be multidimensional and using my platform to merge art with activism through my new movement; The Creative Sociologists. My mission is to empower creatives to embrace their multifaceted talents, build sustainable careers, and use their artistry to spark meaningful change.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
Oh, it’s definitely been far from a smooth road. Being in a male-dominated industry came with its challenges—I went from being the girl in front of the camera taking orders to the woman behind the camera giving them. And that shift wasn’t always welcomed.
There were times when I was the only woman in media rooms or production booths, where my presence was either dismissed or overlooked. I’ve lost count of how many times my work went uncredited simply because my talents weren’t seen as valuable, or because the men on the production team were the only ones acknowledged. I’ve had ideas and designs stolen by major corporations. Even as a studio owner, and retail owner, I had to fight to be taken seriously. People struggled to respect a woman giving orders—especially when I was directing teams of 75+ people. The shock on their faces when they realized I was the one in charge was always telling. It’s hard being a designer also, when you design beautiful pieces and people are shocked that you’re the one walking behind the pieces as the designer.
But despite the hardships, I wouldn’t change a thing. Every challenge, every moment of betrayal, taught me how to protect my work, my ideas, and my business—and now I use those lessons to help others do the same. I’ve made it a mission to educate creatives on contracts, intellectual property, and how to safeguard their creative assets. And beyond that, I know I’ve paved the way for others. Where there once weren’t many women—especially Black women—in these roles, I’ve seen more step into these spaces because they saw me do it first.
I’ll gladly endure the hardships if it means opening doors and keeping them open for the next generation of creatives. I want to be that pillar to encourage others to expand and elevate themselves creatively and holistically.
Great, so let’s talk business. Can you tell our readers more about what you do and what you think sets you apart from others?
I operate across three creative ventures: Loi D’Influence, Stolen Culture Productions, and The Creative Sociologists. Each of them serves a different purpose but is rooted in the same mission—to empower creatives, elevate artistry, and challenge industry norms.
Loi D’Influence:
Loi D’Influence is my fashion brand, where style meets storytelling. It’s about influence, presence, and making a statement without saying a word. From custom designs to curated collections, Loi D’Influence is for those who understand that fashion is more than just clothing—it’s identity, power, and art.
Stolen Culture Productions:
Stolen Culture Productions is my creative production company, specializing in high-quality visual storytelling. We bridge the gap between cinematic production and creative branding, offering photography, videography, creative direction, set design, and campaign execution for brands, influencers, and artists. What sets us apart is our ability to bring a full production-level experience to the creative world—turning ideas into visually compelling narratives that resonate. I’ve had the honor of working with over 300 brands, influencers, and celebrities, helping them elevate their visuals and redefine their brand presence.
The Creative Sociologists :
This is my movement—where art meets activism. The Creative Sociologists is about redefining the role of creatives in society, using our artistry to challenge narratives, spark conversations, and create real change. Through educational content, events, and a growing creative community, we’re proving that creativity isn’t just a career—it’s a form of resistance, revolution, and radical self-expression.
What I’m Most Proud of Brand-Wise
I’m proud of paving my own lane. I saw gaps in the creative industry and filled them—not just for myself, but for other creatives who needed representation, opportunities, and guidance. Whether it’s producing high-quality visuals, creating spaces for creatives to thrive, or building a movement that merges art with social issues; everything I do is about empowerment, elevation, and impact.
What I Want Readers to Know
Each of these brands is an extension of who I am as a creative, a storyteller, and a visionary. Whether you need fashion that makes a statement, production that elevates your brand, or a community that challenges the status quo, there’s a space for you within my ecosystem. Creativity is limitless, and through my brands, I’m proving that you don’t have to choose just one lane—you can own them all.
Because a jack of all trades is always better than a Master of One!!
Risk taking is a topic that people have widely differing views on – we’d love to hear your thoughts.
I’m definitely a risk-taker—it’s in my blood. My late mother, Jacqueline Johnson, was the ultimate risk-taker, and she instilled that mindset in me from an early age. Whether it was having me out selling candy as a child, putting me on stage for pageants and star searches, or moving us from our familiar country life to a whole new state for better opportunities—she taught me that taking risks is how you create opportunities, not just wait for them.
Every major move I’ve made has been a risk. Moving to Dallas with just $700 and a dream almost eight years ago? A risk. Becoming a partner in a photography studio at just 22? A risk. Designing a fashion collection and producing shows when no one even knew my name yet? A risk. But that’s what excites me.
I truly believe that without great risk, there is no great reward. And even if I don’t accomplish the exact dream I set out for, the real win is in the journey—pushing beyond my own limits, discovering new strengths, and evolving into an even greater version of myself. That’s the reward. That’s why I’ll always take risks.
Pricing:
- Creative Production (Creative Director/Set Design): Starting at $2,500 (This can include concept development, set design, and overall creative direction for a campaign or shoot.)
- Loi D’Influence Custom Fashion Design: Starting at $1,500 (This would cover custom designs, fabric sourcing, and production, with pricing increasing based on complexity.)
- Creative Consultation: Starting at $250/hr (For strategy sessions, brand direction, and visual storytelling guidance.)
- Stolen Culture Productions (Director): Starting at $3,500 (For full-scale directing services, including pre-production planning, on-set direction, and overseeing post-production.)
Contact Info:
- Website: https://www.itsbriannashae.com
- Instagram: https://Instagram.com/itsbriannashae | Instagram.com/stolenculture | Instagram.com/loidinfluence
- Youtube: https://youtube.com/@itsbriannashae
- Other: https://Instagram.com/thecreativesociologists
Image Credits
Stage Photo was provided by Gregory Allen Smith
Solo photos of myself near a wall were self portraits taken by me
All other photos were taken by Avion Thomas Photography
