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Life & Work with Nick Finzer

Today we’d like to introduce you to Nick Finzer. They and their team shared their story with us below:

Nick Finzer

Finzer’s love for jazz began in his childhood when he became captivated with the music of Duke Ellington. This passion led him to participate in the annual Essentially Ellington competition at Jazz at Lincoln Center, inspiring him to follow his dreams to move to NYC to pursue a life in music. Finzer went on to study at the renowned Eastman School of Music and then The Juilliard School, where he was mentored by trombone legend Steve Turre. 

A highlight of Finzer’s recent accolades includes a Grammy nomination with Anat Cohen’s Tentet, being named “Rising Star Trombonist ” in the Downbeat Magazine 2020 Critics Poll, and receiving an ASCAP Young Jazz Composer Award. As a bandleader, Finzer has released seven critically acclaimed albums, garnering features in the industry’s top publications and placements in the Top 10 of the JazzWeek’s charts. In 2020, he was awarded the prestigious New Jazz Works grant from Chamber Music America, resulting in his forthcoming album “Dreams, Visions, Illusions”(2023). 

Finzer’s talent and dedication to the craft have not gone unnoticed by his peers in the industry. Wycliffe Gordon, who mentored Finzer early in his career, has called him “a new voice [in] the pantheon of upcoming trombone greats in the making.” In addition to his headliner performances, Finzer has also had the opportunity to perform with jazz heavyweights such as Wynton Marsalis, Anat Cohen, Dafnis Prieto, and Ryan Truesdell’s Gil Evans Project. In his international touring, Finzer has played at legendary venues such as Carnegie Hall, Dizzy’s Club at Jazz at Lincoln Center, Sydney Opera House, the Bimhuis, Birdland, the Blue Note, and the SF Jazz Center. 

As a visionary in the world of music, Nick Finzer brings a unique perspective to the table as both a record label founder, producer, and a respected consultant in music entrepreneurship. Finzer has made a significant impact on the jazz industry by founding Outside in Music (OiM), an artist-focused record label and media company featuring some of the genre’s rising stars around the world. 

As a result of his artistry and innovation, Nick Finzer has become a highly sought-after authority on jazz trombone and education. In 2018, Nick Finzer made history as the inaugural Assistant Professor of Jazz Trombone at the prestigious jazz program at the University of North Texas. As a leading figure in the world of jazz, Finzer brings a wealth of experience and expertise to the university, having previously served as a Visiting Professor of Jazz Trombone at Florida State University, a sabbatical replacement at Hunter College, and at Jazz at Lincoln Center’s Jazz Academy. Finzer has also made a name for himself as an author and educator, sharing his wealth of knowledge in jazz education and music business with the world through his wide breadth of books, masterclasses, courses, and active YouTube channel. 

As someone who always keeps propelling his musical ideas forward, Finzer’s newest album, “Dreams, Visions, Illusions” releases on April 14, 2023. With his never ceasing drive to evolve his artistry and innovate within the music industry, Finzer continues to inspire and impact musicians and audiences around the globe. 

Can you talk to us a bit about the challenges and lessons you’ve learned along the way? Looking back, would you say it’s been easy or smooth in retrospect?
It is certainly not been a smooth road… Moving to Texas from New York City was one of the hardest decisions I had to make in my career; New York is the epicenter of jazz, and I always envisioned that I would be there for the duration of my career. Coming here to work at the University of North Texas has allowed me to be able to have time to focus on more creative pursuits like the one we are focusing on here, the Legacy Project honoring JJ Johnson. It has allowed me to have the space and attention to work on such creative pursuits. Being in a place like the University of North Texas, with such great students, has also pushed me to maintain my higher musicianship level and to try to be an inspiration to my students by showing them what it takes to succeed in the music industry in 2024 

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I am a jazz trombonist and composer, I’m also a band leader and educator, I teach at the University of North Texas. I am also an entrepreneur; I started a record label called Outside of Music in 2013 in New York City that focuses on an artist-centric approach to releasing music. 

My release catalog is here: https://www.nickfinzermusic.com/music 

Before we go, is there anything else you can share with us?
Trombonist Nick Finzer celebrates jazz legend JJ Johnson’s centennial with “Legacy,” an album that honors the icon’s past and commemorates his still-living legacy, brought to life by Johnson’s own longstanding band members. 

NEW YORK, N.Y. – The year 2024 marks something special for many jazz musicians and trombonists alike: the centennial of JJ Johnson, one of the genre’s profound luminaries and all-time most influential trombonists. In honor of this magnanimous moment in jazz history, trombonist, composer, educator, and Outside in Music label CEO Nick Finzer has programmed a series of festivities over the course of the year. Ranging from masterclasses and seminars to tours and concerts with modern trombone masters, these celebrations will culminate in the release of Finzer’s newest album, Legacy, on April 5th, 2024. The album reunited Johnson’s own legendary band members Renee Rosnes (piano), Rufus Reid (bass), and Lewis Nash (drums) in the Rudy Van Gelder studios in Englewood, NJ – the very same location in which Johnson himself recorded many of his classic albums. Featuring a host of arrangements of Johnson’s compositions, pieces from Johnson’s regular songbook, and Finzer’s own originals that exemplify Johnson’s distinctive style, Legacy is not merely a tribute album but stands as a testament to the ever-present and transformative influence Johnson still has today. 

For Nick Finzer, since he first began jazz trombone in 2003, JJ Johnson has been a stalwart and guiding light throughout his career. With 2024 marking Johnson’s centennial, Finzer has taken up the mantle not only of highlighting the mastery and lasting impact of Johnson’s playing but his substantial impact as a prolific arranger, educator, and pioneer within the genre of jazz trombone. Finzer summarizes the importance of Johnson succinctly: “Sometimes it is the nature of our industry to overlook the Trombone, but as my mentor, Steve Turre, has said many times, ‘JJ Johnson did for the trombone what Charlie Parker did for the saxophone.’ He was a true innovator of his time, and his innovations have lasted throughout his lifetime and beyond.” The full scope of Finzer’s Legacy project and the centennial celebration will unfold over the course of the entire year and will pay direct homage to Johnson’s roles as performer, arranger, and education. 

One of the ways Finzer sought to honor and vitalize the Legacy project was to work with greats who had themselves been staple members of Johnson’s bands. “When I first conceived of wanting to celebrate this milestone of jazz history, I wanted to involve as many alumni of JJ Johnson’s bands as I could,” Finzer says. “This led me to calling Renee Rosnes, Rufus Reid, and Lewis Nash, all of whom were active members of JJ’s touring groups in the 1980s and 1990s.” 

The collaboration between the group on Legacy was profound and relatively unique, as it was a project that stretched across different generations. Finzer points out the honor and magnitude of such an opportunity to work with living legends who themselves worked with a substantial forerunner who came before them. “It was a new experience for me to develop relationships with jazz legends like these and to work with them on music that holds such a special place in their past,” Finzer says. “It’s amazing being able to experience the level of musicianship of musicians who have played with your heroes, who not only give you respect but who are dedicated to bringing your musical vision to life, without sacrificing the deep understanding and commitment to the legacy of this music.” With Finzer’s leadership and expertise, coupled with the rhythm trio’s depth of knowledge and experience with Johnson, they brought to life with utmost authenticity the music that makes up his legacy and the music that pays respect to the Johnson’s work. 

Legacy features a host of compositions by Johnson, originals by Finzer in the style of Johnson, and a composition by Rosnes that Johnson readily adopted as a staple part of his songbook during his lifetime. Of Johnson’s work, Finzer found that the ballads are some of the most profound musical experiences on the album. In particular, Johnson’s beloved piece “Lament” is highlighted. Finzer’s arrangement preserves the beauty of the original melody but frames it with new presentations of the main theme and adding interludes to emphasize the emotion of the ballad. “Malaga Moon” is an original by Rosnes that she wrote for Johnson during her time in his band that became a cornerstone of his repertoire during his life. It was first recorded by Johnson with a studio orchestra, and so the band on Legacy adapted the energy and spirit of that recording for quartet. “Johnson’s sound from that recording has been permanently imprinted in my brain,” Finzer says. “It’s a beautiful composition and a wonderful tribute to JJ’s musicianship. It was very special to be able to play it with the composer on a project for the person who she wrote it for.” The album also includes, as its second bonus track, an arrangement of the jazz standard “Blue Bossa” that was created by Johnson himself and taught to the band by bassist Rufus Reid from his days touring with the trombone innovator. 

The impact and influence of Johnson’s original band members on this album and on Finzer’s creative process is profound, and enabled Legacy to be steeped in nothing short of the legacy the album’s title seeks to evoke. Of the band, Finzer has nothing but praise to give. “Lewis Nash might be the most swinging drummer on the face of the planet; everything that he does brings the perfect balance of energy, swing, and taste!” Finzer says. “It has been an amazing opportunity to be able to work with him and learn from him about JJ and his legacy as a musician and bandleader.” Finzer acknowledges the generous donation of time and skill of pianist Renee Rosnes in particular, as she has been earning accolades for her own band, Artemis. “Rosnes is extremely melodically inventive and an amazing accompanist when she isn’t soloing,” Finzer boasts. “I can see why JJ was so fond of having her in the band!” Rufus Reid has been on countless records, many of which were highly influential favorites of Finzer’s as he was a developing musician. “I heard Reid on so many records growing up; it was really amazing to have that sound in the room,” says Finzer. “Having the sound that he brings to JJ‘s rhythm section on some of his later recordings, and to be playing with it live was just incredible.” 

The festivities for JJ Johnson’s centennial is prolific and multifaceted. A notable highlight is at the University of North Texas, which will be hosting a week of artists in residence starting March 21st, 2024, featuring Nick Finzer alongside Steve Davis, Rufus Reid, Billy Childs, and Steve Turre. Finzer will also be taking the Legacy band on the road for concerts and masterclasses at locations and festivals in Texas, Oklahoma, Arizona, California, and Indiana. 

The full celebration itinerary for 2024 is as follows and is ongoing: 

January 19th – Say When – Debut Project Single 

January 19 & 20 – Nick Finzer, Guest Artist at the Purdue University Jazz Festival – West Lafayette, IN 

JJ Johnson’s Centennial Birthday Week Celebrations: 

January 22nd – JJ Johnson 100th Birthday Celebration/Livestream at University of Central Oklahoma Jazz Lab 

January 25th Monks Jazz Club – Austin, TX 

January 26th – Steve’s Wine Bar, Denton, TX 

March 1st, 2024 – Lament – Digital Single 

March 4th, 2024 – Nick at Cameron University Jazz Festival Guest Artist – Lawton, OK 

March 21st, 2024 – University of North Texas JJ Johnson Centennial Celebration Concert ft: Nick Finzer, Steve Davis, Rufus Reid, Billy Childs, and the One O’Clock Lab Band 

March 23rd, 2024 – JJ Johnson Centennial at the University of North Texas Jazz Trombone Day featuring Legendary Jazz Trombonist and SNL Band Member) Steve Turre 

April 5th, 2024 – “Legacy: A Centennial Celebration of JJ Johnson” Album Release 

April 8th, 2024 – Radio Add Date 

April 10th – Sam First – Los Angeles, CA 

April 11th – University of Arizona Masterclass, Tucson, AZ 

April 11th – Century Room – Tucson, AZ 

April 13, 2024 – The Nash – Phoenix, AZ 

with Lewis Nash, Renee Rosnes, Rufus Reid 

May 24th – Digital Single Release – Judy (Bonus Track 1) 

July 12th – Digital Single Release – Blue Bossa (Bonus Track 2) 

With Legacy, Nick Finzer has successfully demonstrated his depth of understanding of and respect for the tradition and history of jazz and its masters. By encapsulating JJ Johnson’s spirit through monuments to both his compositional mark and testaments to his influence over the continuation of jazz composers and performers, Legacy shows that what has passed in jazz past will remain present and powerful into the future. 

Legacy: A Centennial Celebration of JJ Johnson releases on Outside in Music on April 5th, 2024. 

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Adrien H Tilman

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