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Meet Brantly Sheffield

Today we’d like to introduce you to Brantly Sheffield.

Brantly Sheffield

Brantly, we appreciate you taking the time to share your story with us today. Where does your story begin? 
I suppose I got my start by deciding to go to art school at the Kansas City Art Institute in Kansas City, MO. I didn’t have anything else really working for me other than art stuff, and a couple of recruiters came to visit my high school art class. I was suspicious of the idea of art school, but after a couple of conversations with an admissions counselor, I was all in on the idea of art school. So, I set my sights on the Kansas City Art Institute. I got into KCAI and moved to KCMO in August of 2010 for my first year at art school. While I was at KCAI, I learned various skills; I was given the time and space to explore different materials along with various processes. The instructors acted as guides we could access for multiple perspectives on a problem that may or may not be helpful. I ended my time at KCAI with a strong sense of community that I still have pretty strong ties too. Kansas City became home. Which is why it was very difficult to leave for graduate school, but I did. In 2015 I moved to Boston, MA, to attend Boston University. While in the MFA program at BU, I was again granted time and space to make my work, pose questions, and push my practice into sometimes uncomfortable places. Graduate school was a time, but it led to where I am now. After graduate school, I was kinda freaking out about what was next. I was thinking of moving back to Kansas City, or maybe New York, when was I approached by an instructor from the MFA program about teaching. The catch was I had to move to Dallas, TX. I grew up in a suburb of Oklahoma City, so I am not entirely unfamiliar with the area. I got a couple of adjunct teaching positions at a few colleges in the DFW and moved down here in 2017. I’ve been in Dallas for going on seven years now. I keep getting opportunities around here, and I have found a great community of artists and friends that I cherish very much. I couldn’t have asked for a better place to end up and start to establish some roots. 

I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
The main challenge has been maintaining a consistent studio practice while juggling all that life requires of us. That challenge never goes away. Things like school and studying was struggle while I was going through it, but the results of that labor have really paid off. I mean a lot of art history, artist’s names, work titles, dates, and miscellaneous information is forever etched into my brain. I think my challenges have taught me a lot about myself as an artist and defined the type of person. 

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I am an artist based in Dallas, TX. I am a representational artist that depicts aspects of my life and observations. My work has an “if you know, you know” quality, they are known people, places, and objects within communities I occupy. I use paint to create an access point either through the familiarity of the composition or the moment depicted or it’s through how it’s painted. The way I paint starts with drawing. Drawing is the backbone of my studio practice. I like the nature of contour line drawing from life and the natural exaggerations of proportion that occur within that process. I use color forms and patterns to fill in the space to create a representation of my subject. I’m really excited about my current body of work. I have roughly 9 months to paint and make stuff for my next solo show. 

Any big plans?
Like I said, I am really excited about my current body of work. I have about 9 months left to paint to be ready for my next solo show at Ro2 Art in Dallas next year. That’s honestly all I’m really focused on right now. 

Contact Info:


Image Credits

Ben Schultz
Teresa Rafidi

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