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Meet Chijioke Nwadike of dallas

Today we’d like to introduce you to Chijioke Nwadike.

Hi Chijioke , it’s an honor to have you on the platform. Thanks for taking the time to share your story with us – to start maybe you can share some of your backstory with our readers?
My story is one of evolution—from the center of the stage to the architect behind it. I began my career as a professional dancer, fueled by the rhythms of my Nigerian heritage and the high-energy stages of icons like Burna Boy and Tiwa Savage.

However, as I grew within the industry, I felt a deep responsibility to do more than just perform; I wanted to build the platforms that allowed our culture to shine. This led me to begin curating events specifically for my community, creating spaces where local talent and tradition could be celebrated.

Seeing the impact of those community gatherings gave me the confidence to scale my vision. I transitioned into managing large-scale festivals and concerts, where I discovered a new creative thrill in the logistics of the ‘big picture.’ Today, my work as a Talent Manager and Stage Manager is the culmination of these experiences. I use my background as a performer to empathize with the artist’s journey, and my experience in festival management to ensure that every technical and structural detail is executed with precision.

I have gone from moving people with my feet to moving mountains behind the scenes to make sure the show goes on.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
It hasn’t always been a smooth road. Transitioning from the stage to the production office meant learning to navigate an industry that can be as demanding as it is rewarding. There were moments of doubt, financial hurdles in the early curation days, and the immense pressure that comes with managing live festivals where there is no room for error.

However, it was never just about me. My faith has been my anchor; through God, I found the capability to push past exhaustion and technical setbacks. What fueled me most was the realization that my journey was inspiring others. Every time a young person from a similar background saw me managing a stage or a talent’s career, it reminded me that my struggles were paving a way for them. The knowledge that I was helping build a community and providing opportunities for other artists made every challenge worth it.

Thanks – so what else should our readers know about your work and what you’re currently focused on?
What I Do & My Specialization
I am a Creative Producer and Talent Strategist with a foundation rooted in professional dance. My work is dedicated to the “Life of the Stage”—from the first beat of a choreographer’s foot to the final technical cue of a festival. I specialize in Stage Management, Talent Representation, and Large-Scale Event Curation.

My unique specialty lies in Cultural Integration. I take traditional rhythms—the ones I first learned in my village in Nigeria—and translate them into high-production environments like major concerts and international festivals.

What I Am Known For
In the industry, I am known as the bridge between the Artist and the Infrastructure. Because I have performed for legends like Burna Boy, Tiwa Savage, and Davido, I have an intuitive understanding of what an artist needs to feel supported. Conversely, because I have managed festivals and community events, I understand the technical precision required for a flawless production. I am known for maintaining humility and a “community-first” mindset, regardless of how large the stage becomes.

What I Am Most Proud Of
I am most proud of my transition from Individual Performer to Community Builder. While opening for Africa’s biggest stars was a dream realized, nothing compares to the fulfillment of curating events that provide a platform for others. I am proud of the festivals I have managed where I saw new talents get their first big break. My greatest achievement is proving that a creative path doesn’t have to stay in one lane—you can move from being the talent to managing the talent without losing your soul or your roots.

What Sets Me Apart
What sets me apart is my dual perspective.

As a Stage/Talent Manager: I don’t just see a “schedule”; I see the emotional and physical toll of a performance. I can anticipate a problem before it happens because I’ve been in the performer’s shoes.

As a Curator: I don’t just book acts; I tell a story. My deep connection to my heritage allows me to create authentic experiences that feel personal, even in a crowd of thousands.

My Foundation: My journey was never easy, but my resilience is built on faith. I operate with the belief that I am “capable through God,” which gives me a level of calm and authority in the high-pressure environment of live entertainment.

Are there any important lessons you’ve learned that you can share with us?
The most important lesson I’ve learned is that your roots are not just where you come from; they are the foundation of your power.

Early in my journey, I thought I had to choose between being a dancer or a manager—between being the artist or the professional. But I realized that my heritage, my faith, and my time on the streets of Nigeria were exactly what gave me a “creative edge” in the boardroom and on the festival stage.

Here are the three pillars of that lesson:

1. Authenticity is Your Best Asset
In the entertainment industry, it is easy to try and mimic what is “trending.” But I learned that people are drawn to authenticity. By bringing my cultural background into contemporary spaces, I wasn’t just another manager; I was a storyteller. Whether I am managing a stage for a global superstar or curating a local festival, staying true to my identity makes the work stand out.

2. Leadership is About Service
Transitioning from a solo performer to a talent and stage manager taught me that true success isn’t about being in the spotlight—it’s about how much light you can shine on others. I learned that my “calling” wasn’t just to dance, but to build the stage so that a whole community of artists could rise. Helping and inspiring people is the only fuel that doesn’t run out when the road gets tough.

3. Capability is a Partnership with Faith
The road was never easy. I faced technical failures, financial stress, and the fear of the unknown. The biggest lesson here was realizing that I don’t have to carry it all on my own. My faith taught me that through God, I am capable of things I couldn’t achieve by my own strength alone. This mindset allows me to stay calm in the middle of a chaotic festival production because I know I am supported by a higher purpose.

“I went from moving to the rhythm of the music to setting the rhythm for the entire production.”

By embracing every part of my story—the struggles, the village dances, and the big stages—I learned that versatility is not a distraction; it is a superpower.

Contact Info:

  • Instagram: chijiokeosuala
  • Youtube: cjthedancer

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