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Meet Cynthia Brinson of CiCi House of Clay

Today we’d like to introduce you to Cynthia Brinson.

Cynthia, please share your story with us. How did you get to where you are today?
I started playing in the black gumbo clay in my backyard as a child. I took clay classes in college and fell in love but could not pursue further at that time. Twenty-two years ago, my husband suggested we take a clay class together. I was in love again and in ready to dive in. I got a wheel, then a kiln and eight years ago built a studio in my backyard.

I use stoneware and most of my work is high fired to be both durable as well as beautiful. Travel has informed my work with landscapes being a favorite of mine on plates, bowls and mugs. I also make large vases, plant pots, as well as sculptures of angles, pigs and dogs.

We’re always bombarded by how great it is to pursue your passion, etc – but we’ve spoken with enough people to know that it’s not always easy. Overall, would you say things have been easy for you?
I worked full time for sixteen years while making pottery was just part-time, so finding time to make was tough as well as finding places to sell. I retired four years ago and began a search for students, shows and shops/galleries to sell my work. Shops tend to change hands and get beaten up by the economy. Outside shows suffer from weather/management and students a challenge for lots of other reasons.

So let’s switch gears a bit and go into the CiCi House of Clay story. Tell us more about your art.
I started selling pottery as Clay Babies as a nod to George Ohr, the mad potter of Biloxi, who considered all his pots his babies. When my first grandchild was born, he started calling me CiCi House so I change my pottery name to CiCi House of Clay. I specialize in landscapes on plates, which I consider to be an exercise in abstract expressionism. I hope I am known for beautiful, durable pottery. I am proud of my pots as my style is unique to me, which is the only way any artist makes their mark in the art world.

Has luck played a meaningful role in your life and business?
As I am in the second act of my like, I have the benefit of being able to look back with some perspective not as readily available to someone younger. I have come to understand that being smart and lucky is a very good combination. Most bad luck can be turned into a gift with enough insight. Pottery that cracks or has flaws are learning lessons that can be turned into mosaics or test glazes pieces. A bad show could lead to contacts with other artists who have information for good shows. Bad weather at a show might cause other artists not to come out, but the weather could change then become nice and the people come out and buy from me because I am one of the few that stayed. A shop that carried my work could close but the new buyer not only wants to carry my work but at better terms. Sometimes not, but anyway, life goes. I get the opportunity to learn and grown and that is the point in the long run.

Pricing:

  • My prices run between $12.00 and $250.00

Contact Info:

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