Behind the Lens, On the Rise: Julian Bell’s Journey From Local Sets to Network Television

Hi Julian, thank you so much for taking the time to share your story and insights with our readers. We’re excited to learn more about what you’ve been working on, so let’s jump right in. You’re currently serving as Director of Photography for the new CW show Cook Dad Cook, handling episodes 2–6. What has this opportunity meant for you, and how has stepping into this role shaped your growth as a filmmaker?
This opportunity has been a whirlwind of opportunities and growth. One of the major points of the show is being able to cook in any type of kitchen you have available to you. Which is exciting and means that we are filming in different locations. I’ve been handling some of the lighting and audio responsibilities, which means I’m having to constantly problem-solve. Where are the shadows? What’s the best way to deal with sounds reflecting off the surroundings? Working this way allows me to take advantage of my skillset and the gear I’ve gathered over the years. The tips and tricks I’ve learned from experience, from friends, and Youtube of course.

As a local filmmaker who works across videography, photography, and content creation, you’ve built a career both in front of and behind the camera. How do you balance those roles, and what do you enjoy most about being behind the lens as a storyteller?
I find myself constantly inspired and sometimes stuck with so many ideas that I forget to create from time to time, in all honesty. I use photography to help me learn how to tell a complete story in only a single frame. It’s a fun exercise that pushes me and helps me stay grounded in the basics. I enjoy not just the creativity of the whole experience but also helping others tell their stories. There is a small moment when a client gets to review the work we’ve done, either photo or video where their face lights up. You can see the moment where the fell seen as their story unfolds on the screen in front of them. Even working with actors and models, we share that moment when they finally see what I’ve been asking for appear.

Working on a network television production brings a different pace and scale than independent projects. What have you learned from the Cook Dad Cook experience that you’re excited to carry into future short films, TV shows, or web series?
My experience on Cook Dad Cook has helped me appreciate others and what they bring to the table. My strengths lie in working with the cameras, once the lights are on, and everyone is ready to go. But there is a lot of planning and communication that goes into each set. We have hair and makeup, wardrobe, securing the location, permits, legal paperwork, and more. Some of those areas I can assist in to help out my fellow crewmember, but some things they do are absolutely foreign to me. But without them, I would have never been contacted because there would be nothing to film. I look forward to seeing how this show grows and the additional projects in the future. I’m happy to answer technical and artistic questions, to break down scripts, to work with talent to understand exactly what we need them to communicate with their performance, and most of all, no matter the project, I want to make sure the story is told correctly.

You’ve also served as a Nikon camera ambassador, which is a major recognition in the creative world. How did that partnership come about, and how has it influenced your approach to craft, gear, and education for other creators?
Funny enough, the Nikon family found me over on Instagram, where I was educating and entertaining others about the trials and tribulations of working with cameras. They enjoyed how honest I am about the process and even the frustrations of the business. Being able to work with them has made me far more aware of the power of my words. I don’t always understand just who is watching my videos and posts, to know that they make themselves into certain crowds is amazing. I’ve slowed down on the educational pieces because I want to make sure I’m correct. I don’t want to mislead anyone with information I may share. I don’t want to rush to be the first to post about something; I want to be a source people can come to answer to the question correctly. I have a great appreciation for the amount of dedication that goes into the design of any piece of equipment that is put onto the market, how many conversations that are had so that people can get the most value out of their camera. But this opportunity has also allowed me to be in contact with other creators who are extremely talented. It’s an amazing feeling when you’re able to reach out to someone you’ve watched for inspiration and have a real conversation with them.

You mentioned that you’re actively looking to collaborate on new projects with filmmakers, businesses, and creatives. What kinds of stories or collaborations are you most excited to be part of in this next chapter of your career?
As I enter a new chapter of my career, I think I’m looking for projects that revolve around a central idea, concept, or script. That means advertisements, web series, tv shows, short films, and feature-length projects. Of course, I would love the opportunity to film a wedding or two this year as well. But overall, my main focus is narrative-based work; there are so many ideas out there, so many scripts, and I want to work with them. Let’s bring that idea to light and give it the care that it deserves. I would prefer to be either the Director or the Director of Photography if I can be. But I can also step in front of the camera and act as well. The main point being I’m looking to spend this year working.

For aspiring filmmakers and content creators watching your journey, what advice would you give about building opportunities locally while positioning yourself for larger platforms like network television?
For anyone who is watching me and following along, I would tell them this. I was found for Cook Dad Cook and Nikon, not from a social gathering, but from posting my work on social media. Being able to not just talk about the process but prove that I work on it in my free time as well. We live in a world of “show, don’t tell”, so please don’t be afraid to put your work out there. Embrace the concept of being that friend who is so consistent with their drive that you’re known for it. Find your pacing, how often you want to post, and follow it. Make it as consistent as a gym schedule; it should feel weird not to post at all. Experiment, be open and honest about when things go wrong. But focus on being able to explain why something went wrong. People are more than willing to invest in those who are honest about their skill set. Plus, I would love to see your work, it doesn’t matter if you’re a beginner or far more talented than I am. I want to support all creatives, no matter where you are in your journey. When you get an opportunity to work with someone, if it feels right and aligns with your vision, then don’t just take it. Pour into it like it’s the biggest opportunity of your life. Don’t hold back, push yourself, push your gear, and use every ounce of knowledge you have. Make that client feel like they’re the most important thing in the world to you.